Catalina Imizcoz
Editorial/Research projects
‘Water and Horoscopes’ in Diversion, an artist newspaper edited by Asad Raza and Mathew Hale, Portikus [June 2022]
‘The Modern Paradigm, the Exhibitionary Form and Our Epistemological Crisis’, Worldviews, The Centre for Visual Culture, University of Cambridge and TrAIN, UAL [November 2021]
‘The Modern Paradigm, the Exhibitionary Form and Our Epistemological Crisis’, PARSE journal On the Question of Exhibition [August 2021]
Vitamin D3: Today's Best in Contemporary Drawing, Phaidon [2021]
PhD Research, ‘The Modern Paradigm and the Exhibitionary Form’, School of Museum Studies, University of Leicester – AHRC Scholarship: M4C [2020–2024]
MaytoDay, Gwangju Biennale Foundation [2020]
‘The Modern Paradigm and the Exhibitionary Form: The Case of Altermodern’, OnCurating issue 46: Contemporary Art Biennials – Our Hegemonic Machines in Times of Emergency [June 2020]
‘Rest’, e-flux reader, compiled with Camila Charask [2020]
Adrián Villar Rojas, Phaidon [2020]
Collision, Innovation, Interaction: Korean Art from 1953, Phaidon [2020]
‘The Publication as Evocation: Exhibition Histories’ Printed Matter’, Revista de História da Arte no. 14: The Exhibition, Instituto de História da Arte [December 2019]
‘What Do Exhibitions Do?’, ASFA & Hydra 21: Exhibition Histories Seminar, hosted by Asad Raza [September 2019]
‘Precarious Structures: HIV, Museums, and History’, What You Don’t Know About AIDS Could Fill a Museum, OnCurating [August 2019]
Vitamin T: Threads and Textiles in Contemporary Art, Phaidon [2019]
Art and Queer Culture, Phaidon [2019]
‘Cartographies and a Genealogy of Exhibition Studies in the 1990s’, in Exhibiting (and) Histories, Bibliotheca Hertziana – Max Planck Institute for Art History [December 2018]
‘ramona: Looping the Mechanisms of Production and Reception’, Grandes públicos y artes visuales de 1950 a nuestros días, Museo Reina Sofía, Madrid [November 2018]
‘ramona: A Translation Exercise’, Université d’été de la Bibliothèque Kandinsky, Centre Pompidou, Paris [July 2018]
‘Teach me how to look at what I'm trying to see. On the Temporal Codes of Conduct of Dance Exhibitions’, As Slowly As Possible, Vrije Universiteit, Amsterdam [May 2018]
‘El Pintor Gordín en el ICI’, Kunstlicht, Amsterdam [2017]
‘The Multiplex Texture of ramona’, Third Text, vol 30 issue 4, London [July 2017]
‘Field Work: Extending the Study of Exhibitions across Geographies’ in Caiana #10, Buenos Aires [March 2017]